Vol.1 No.12
5 June 2002

 

Fimo Brick

Noel and Pat Thomas

When I started, I wanted to use brick colored Fimo, but, because I couldn't find any, I used a combination of Rosewood (3/4 of a pkg.), Red (less than 1/8 pkg.) and Terra Cotta (1/2 pkg.), with good results. I think experimenting with assorted colors works well because you can imitate the natural variations in brick colors. Not all full-size bricks were made from the same mud, nor were they all baked at the same heat, nor for the same length of time. You can even mix bricks from different clor batches. Experiment!

In this case, experimentation allows you to use a lot of household appliances for crafts you'd never have been allowed to use as a child. You will need a blender or food processor, a pasta machine, a sheet of glass, a bottle, an Exacto knife, a T square, and an oven. To save money on a large batch of bricks, try to buy Fimo in large blocks. If your miniature shop doesn't carry them, try large craft suppliers, or bead and jewelry supply shops.

1. Cut Fimo into pieces and shred in blender or food processor until the pieces are tiny, making it easier to combine colors.

2. Work clay bits back together with your hands into a lump, and flatten. Using a glass bottle for a rolling pin, roll out balls into sheets about 1/4" thick.

3. Blending and rolling: Feed each sheet through pasta machine rollers. Fold, and repeat 3-4 times, working the clay down to the thinnest setting on the machine, repeating until the colors are completely blended. At first the colors will marbleize, but eventually they will blend to one color. You made need to feed the sheets once through the spaghetti cutter to get them to mix. If you are using only one color of Fimo, you'll only have to roll it out until the texture is smooth. Finally, fold the blended sheets together and feed through the thickest setting on the pasta machine, until you have a smooth, blended slab (or slabs) of clay, about 3/32"-1/8" thick.

4. Lay slab on glass, and with the Exacto knife, score the brick shapes (approx. 5/8" X 1/4") into the clay. Don't cut all the way through the clay. Texture surface to look like brick (I used a nail brush, pressed randomly over the surface, but, for more realism, you might try brushes with different sized bristles, so the marks vary in size).

5. Bake bricks on the sheet of glass for 30. min. in a 250 degree oven.

6. When cool, break slab into bricks on scored lines. The bricks can now be "cracked," or "broken," dented, edges softened, and other imperfections added with the Exacto knife. Glue down with Elmer's white glue. Age the color by painting with Raw Umber tube acrylics, thinned with a little water, and/or experiment with olive greens, ochres and other earth-tones for more variation. Grout, smoothing some of the grout out with a damp sponge, so the grout is not quite up to the level of the bricks.

 

© 2002 by Pat and Noel Thomas

 

 

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This Week's Q & A


Here is a question that stumped us, perhaps one of you can help Holly Identify the signature marks.

Question: I have pieces of furniture by two artisans that are signed only with initials. I am in the process of recording my collection and would like to give proper credit to the artisans who made these wonderful pieces. I have already checked in the "Book of Miniature Makers Marks" and could not find either of them. I have attached a picture of each set of initials, along with a picture of the piece they are on, in hopes that you may recognize them and be able to provide me with names.

Thank you for your time,
Holly

Any ideas? Send an email to forum@igma.org

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© 2002 International Guild of Miniature Artisans, Ltd.

 

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