Vol.1 No.6
10 April 2002

 

The Difference Between Parquetry and Marquetry

Julian Biggers

Q. What is the difference between parquetry and marquetry? Is one inlaid
and the other not?

A. Parquetry and marquetry as furniture decoration go back to the days
of the Pharaohs, but it was after the Renaissance that they saw wide
spread use. By the end of the 18th century, the work of Italian, French,
and English furniture makers had reached great heights of artistry and
skill in both forms of decoration.

Parquetry uses geometric patterns such as squares, diamonds, triangles,
etc., for decorative effect. The arrangement of the wood grain or color
of different woods adds to the effect. Chessboards and parquet flooring
are examples. Decorative stringing is also in the parquet family.
Marquetry is much freer in design with scrolls, bunches of flowers,
vases, etc., as decoration. Marquetry is like painting a picture with
different color woods; whereas, parquetry is more like quilting in
wood.

Both parquetry and marquetry can be inlaid in a core wood or veneered on
the surface of the wood. The manner of application to the core does not
distinguish between parquetry and marquetry. The French often used a
parquet background such as the "Tumbling Block" design to cover the body
of the piece, and then inlet marquetry designs to complete the
decoration of the furniture.

Note: You may run into the word "Intarsia". (Drop that into your next
conversation.) It refers to the earliest form of inlaying decoration
when wood thicker than modern veneers was used. Cabinetmakers of 200
years ago would marvel at today's veneers. They were used to using wood
that was 1/16" to 1/8" thick or thicker as veneer.

This example is a piece that Geoff Wonnacott, Fellow, will be teaching at The Guild School in Castine ME this June

 

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  • Using Foam Core to Construct a Room Box, Part IV, Finishing Room Box Front for Frame Application

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This Week's Q & A


Q. I would like to know where I could find pear wood or boxwood. I took Bill Hudson's class a few years ago and he recommended pearwood for carving miniatures. Are there any other woods that are as good? I do not like basswood for real small objects or delicate carving.
Thanks, Karen

A. #1 My source for pear wood has been:

Gilmer Wood Co.
2211 N.W. St. Helens Rd.
Portland, OR 97210
Ph. (503) 274-1271 Web. http://www.gilmerwood.com/

Note; Check site then call for further info

They are in an old barn and several other buildings. This place is a wood lover paradise.
I buy pear in large slabs and then cut it down to my size. They possibly may cut it into smaller chunks for a price.

Bill suggests..........It is possible S.H. Goode might be able to help you out.

- Bill Hudson


A. #2 I've used Goode for over a decade now, and never really had a problem.
He seems to know what the miniaturists wants and needs. Carries a wide
variety of exotic woods plus moldings for picture frames and rooms,
flooring, and other stuff in the wood category. - Julian Biggers


A. #3 We have a catalog of all our hardwoods (domestic & exotics) which gives sizes and prices. Steve will also cut just about any size not listed (if possible). The catalog is $1.50 and available by mail as follows: S.H. Goode & Sons Workshop, POB 2575, Atascadero, CA 93423.

We welcome guests to our shop by appointment.

- Mary Anna Goode

 

 

 

 

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