Getting Ready for a Show

Whilst I am wrapping up my preparations ahead of my trip to the Chicago International show next weekend, I am also thinking about the preparations that will be ramping up on my return, for the Guild Show

People Sculpting 101, with Elle Piccolo.

People Sculpting 101, with Elle Piccolo.

2012 coming up in September. Apart from making miniatures for the sheer fun of it, I also make miniatures to sell-it helps fund the collecting of miniatures I will never be able to make for myself, and for the occasional miniatures related travel…i.e.Guild School. This year, for the first time, I will be teaching a class at the Guild Show which will involve many more preparations this spring and summer, than just building up inventory.

As far as I can remember, there have always been classes offered at the Guild Show, but this year they have expanded the educational opportunities at the show-encouraging many talented artists along with Artisan and Fellow members of the Guild to teach a class. A brochure detailing the classes on offer will make its debut at the Chicago International, or you can pop over to the dedicated web-page where full color photos are already available along with class descriptions.

Learning to Solder, with Tim Kraft.

Learning to Solder, with Tim Kraft.

Another educational opportunity will be open to all at the Friday evening festivities which have been re-envisioned as an opening party-bridging the gap between the classes and the salesroom. There will be exhibits to see as well as demonstrations by artisans in many and varied areas of miniature making-so if you’ve ever been curious about how a particular tool works, or what material would be best for working a miniature sampler, this is the chance to come and learn a thing or two, while enjoying some luscious desserts and the company of your mini friends.

The salesroom opens Saturday morning with preview hours from 9-11 a.m. and for general admission from 11 a.m. until 4:30 p.m. Sunday hours are 10 a.m. to 3 p.m. The list of dealers is awesome now and still growing. Silent auctions will take place during salesroom hours both days and the always impressive live auction, after the salesroom closes on Saturday.

Sailing Ship Stained Glass Window, with Sue Veeder.

Sailing Ship Stained Glass Window, with Sue Veeder.

There is always a special section of the salesroom devoted to the  youngest collectors among us-parents strictly forbidden, and Sunday will see the launch of a new special event just for those young collectors…Minis and Tea for Mom (or Dad) and Me!

Hope to see you there.

 

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What’s the Secret?

O.k. I’m pretty patient, fairly detail oriented, and my father is a fantastic woodworker(unfortunately completely uninterested in miniatures)…so why am I so miter challenged? Why can I not get my picture frames to come out properly square and neat? I hate those tiny little gaps in the corners!

1/12 scale adaptation of a New Hampshire sampler in a frame greatly improved with a little putty and some creative faux painting.

1/12 scale adaptation of a New Hampshire sampler in a frame greatly improved with a little putty and some creative faux painting.

I’ve got a couple of miter boxes, several saws, a chopper thing that cuts angles with a single plunge of a sharp razor blade and a gadget that supposedly will sand pieces at specific angles and I’ve got to tell you, I think the gadgets are a waste of money. First off, unless I’m really missing something, the chopper thing only cuts the end of a piece, so you can’t cut a lovely angle on one end, then move the piece on through and cut the other angle without first cutting the piece to length and then turning it around to nip off the end at the correct angle. Which, let me point out requires you to remove the angle guide to cut the piece to length, then replace it on the other side of the chopper before making the second angle cut.  Yes, you can just flip the piece of wood over, but nice picture frame molding is not flat on both sides so holding the piece square on its top side will be a bit tricky. For the actual cutting, the chopper doesn’t work too badly on soft, fairly thin pieces of wood, but with something thicker and more dense, the angles are not cut completely ‘square’, the downward pressure of the blade ends up forcing the cut out of line to at least some degree.

And the sander gadget? I was completely disappointed on opening it to discover that all the angle guides were made out of plastic and the adjustable angle guide, also plastic, has no angle markings on it at all, and to use it you must hold it in place in the little channel it sits in along with the piece you’re trying to sand-and hopefully that piece is long enough to span that same channel without tipping into it thus giving you a whole other angle altogether. Yeah, pretty much useless.

O.k. so we’re back to the miter boxes. The metal ones come with little channels to supposedly match the width of your wood strip and hold it in place. Not always successfully, plus I’m sure the metal can’t be all that good for the longevity of your saw blade. I am currently having the best luck with a nice little wooden miter box I got from S.H. Goode & Sons Workshop. I take my picture frame stock and wedge it into place against one side of the box with some pressure sensitive putty adhesive (i.e. blu tack) so its sitting flat with its flange supported so it doesn’t slip out of square and saw away with my fine tooth handsaw. I can usually get the first cut done cleanly, its the second cut that always gives me trouble, hitting the mark and cutting square, ARGHHHH.

Of course, there is always a time element when I’m making picture frames and that doesn’t help any. It usually means I’m a week or two in front of a show and desperate to get things finished. It seems ridiculous to purchase a small table saw, at a cost of several hundred dollars to make frame assembly easier, but at this point, I am seriously contemplating that option. I could also get my stitching done early enough to have frames made for me by someone far less challenged, but I do usually like doing things for myself, and getting things done early? Who’s dreaming there?

Should I just set aside a few days and a few hundred pieces of wood and just practice, practice, practice? It probably would  help considerably. Maybe at the end of that, I’d have a few perfect frames and could then stitch to fit the frame…yeah, that’s the ticket!

Anyone out there have any tips to pass on to a miter challenged artist? Tell me how you get your frames to come out perfectly. I’d really appreciate the advice.

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It’s a Winner!

1/12 scale Dutch kas made by Iulia Chin Lee.

1/12 scale Dutch kas made by Iulia Chin Lee.

Iulia Chin Lee began working in 1/12 scale about 20 years ago and has firmly cemented her standing as a master woodworker in that scale in the intervening years. An Artisan member of IGMA, Iulia has won several awards for her skills as a scale woodworker. Most recently, a Dutch kas she made was selected to be shown in a exhibition entitled ‘A Tradition of Craft: Current work by the members of the Society of American Period Furniture Makers’ at the Connecticut Historical Society.

The kas, by definition is a large Dutch style cupboard used for storing linen,  an impressive piece with, usually, two doors, drawers and large ball feet. Iulia’s kas is styled after those from the workshop of Elting Beekman of Kingston, New York, circa 1730. Visit her website for photos of the kas in progress as well as photos of her other work.

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